w/ Birds of Chicago / Laura Goldhamer
"Before We Turn to Dust," San Francisco based songwriter Sean Hayes' newest release was written and recorded in the same year he became a father. You can hear the love and struggle throughout. In one moment Hayes is singing "you may spend all your money before you turn to dust / but you'll never spend all your love.” In the next moment, reminiscent of Bill Withers' classic "Ain't No Sunshine When She's Gone," he flips it with his line "I miss her when I'm gone/ but I've got to make my money" and goes on to intone "bring it home, bring it home, bring it home/ to my lady and my baby."
There is something raw and down-home about this music. Simple and straightforward the piano, guitar, drums, bass, occasional horns and back-up singing surround his warm, vibratoladen voice that leads the way, down "side street alleys" or to "that spot with the jukebox where we can sing your favorite tune."
Like great Country or Soul music these songs tell simple stories that also make you want to move. "Damn, the way you walk that thing/locked in the pocket make a body ring" from the song "Bam Bam" almost has your hips in motion from the lyrics alone.
Frazey Ford from the folk group The Be Good Tanya's joins the singing for a duet on the album's last track, a lullaby "Innocent Spring."
Hayes is notably accompanied by veterans Andrew Borger (Tom Waits/Norah Jones) on drums, Devin Hoff (The Nels Cline Singers, Xiu Xiu) on bass and relative new comers Ezra Lipp (Thao + The Get Down Stay Down) on drums and multi-instrumentalist Eric Khun (Silian Rail) on keys, drums and percussion. The record was mixed by Eli Crews (tUnE-yArDs) at New and Improved Recording in Oakland CA.
Sean Hayes was born in New York City, raised in North Carolina, and came of musical age in San Francisco. "I remember going to sleep listening to the radio next to my bed," he says, listening to a wide variety of music from the get-go. It was not until I went to college for a year in east Carolina that I heard a banjo and a fiddle and bluegrass." He began to play a mix of traditional old-time music, bluegrass, Irish music, and original songs in Asheville, NC and Charleston, SC.
On a whim, Hayes threw some clothes and a guitar into the back of his friend's car and made his way to San Francisco. "I spent a few years in a great little folk scene in San Francisco with Jolie Holland being the queen bee. She is an amazing talent." Later, he would open tours for Holland. "San Francisco has always felt like a do-it-yourself town," he says, continuing, "There’s not a lot of music industry, but there is a lot of spirit."
Hayes cites various influences from the soul, folk, R&B, reggae, and gospel worlds, such as Otis Redding, James Brown, Joni Mitchell, 'The Anthology of American Folk Music,' 'American Primitive, Volumes 1 and 2' (pre-war gospel compilations), and Nina Simone. He adds, "I also love Bob Marley and his rhythm section. I think of him as more folk than reggae."
Over the years, Hayes' songs have been re-mixed by DJ Mark Farina ("Dream Machine"), covered by folk group The Be Good Tanya's ("A Thousand Tiny Pieces"), been featured on HBO's "Bored to Death", and used in a TV ad campaign for Subaru ("Powerful Stuff"). He sang a duet on Aimee Mann’s latest record and has toured with acts such as Ani DiFranco and the Cold War Kids.
Birds of Chicago is a collective based around JT Nero and Allison Russell. Whether touring as duo or with the full family band, Nero and Russell have emerged as two of the most compelling new voices in North American Roots music.
For several years Russell and Nero’s respective bands, Po' Girl ( Vancouver, BC) and JT and the Clouds ( Chicago, IL), have collaborated extensively, but in 2011’s Mountains/Forests, released under the JT Nero banner, they tapped into the true, bewitching power of their voices together on an entire record. It also featured the full cast of characters that would round out the Birds of Chicago ensemble -- the Clouds and Michelle McGrath, the luminous singer and picker from the hidden hills of Southeast Ohio.
The record received critical raves and won them new fans on both side of the Atlantic, and created a great deal of excitement for the first official Birds of Chicago album, slated for release in September, 2012.
Nero’s fractured country-soul voice wrapped in Russell’s silver and gold tones is a fine thing. Not too perfect, not at all saccharine, you’ll hear echoes of mountain gospel, street corner doo-wop, classic soul. Accompanied by just a banjo and a guitar, it’s chilling. Fired by a full band, it’s a full tilt revival.
Nero and Russell are most at home on the road - pick almost any night in the next two years and you can bet they will be in some festival, theater, pub, VFW hall, roller rink (they wish) or living room dovetailing their voices, singing their songs of hope, despair, love.... and electric seahorses.And honey bee apocalypses. And ice cream. It's familiar and strange stuff - the everyday and the magical. Come see 'em, they won't be hard to find.
“If you have ever had the pleasure of meeting a girl named Laura Goldhamer, then you have also had the pleasure of walking into the sun. Goldhamer is bright. She’s eccentric. She’s motivated and focused. And at the end of the night, she probably puts on one of the most intriguing and jaw-dropping shows in town.” - Jonathan Bitz, Denver Syntax
Laura Goldhamer draws from a variety of purely American traditions; however, Laura’s ability to merge traditional Americana with the avant-garde, mixing inventive homemade technologies with earnest folk, is particularly noteworthy. During performances, she projects her intricately composed stop-animation films (which she has created to illustrate her song lyrics). These visuals are synced with live music delivery, as well as with an installation of her self-constructed speaker/drum/doorbell machine, affectionately named “The Roboctopus”, which is an eight-channel robotic percussive ensemble using speakers in drums, doorbells on music stands, and solenoids rigged up to hit cymbals.
As a folk songwriter, guitarist, old-time banjo player, stop-motion animator, & instrument inventor, Goldhamer enlivens crowds with laughter and awe, conveying her intimate and focused energy in a unified and immersive musical, visual, and kinetic performance.