Art of Flying presents

Arrington de Dionyso's "Malaikat dan Singa" with Art of Flying (loud band)

Arrington de Dionyso's Indonesian Trance-Punk throat-singing band | $5 Cover

Art of Flying (loud band) will open the night

at Taos Mesa Brewing Mothership

April 21, 2013 8:00 pm - 11:30 pm
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Time: 8:00pm     Day: Sunday     Ages: All Ages / Bar with ID    
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Arrington de Dionyso (b. January 4th 1975) makes trans-utopian world music for a world that exists in fever dreams and hallucinations. Using performance and visual art, he traverses the nameless territories held between surrealist automatism, shamanic seance, and the folk imagery of rock and roll. He clarified his eccentric brew of ecstatic lunacy and prophetic madness during his 15 year tour-of-duty with Olympia’s Old Time Relijun (1995-2009).

De Dionyso’s most recent project, Malaikat dan Singa, is a trance-punk outfit featuring bass clarinet, guitars, multiple drummers and his trademark wild vocals (multi-spectral harmonic throatsinging combined with grunts, yelps, and barks) often sung in Indonesian. Malaikat dan Singa translates as “Angels and Lions,” and de Dionyso’s lyrics (both Indonesian and any other language he chooses to ply) fiercely combine mythology and fantasy. As a band Malaikat dan Singa ultimately defies a clean translation gaining power by crossing boundaries — both linguistic and psychic.

Arrington tours constantly both with Malaikat dan Singa and as a versatile solo artist. His visual art has been featured in exhibitions in Italy, New York City, Washington DC and Portland, Oregon and published in Yeti magazine, Prism Index and The Stranger. Arrington is staging his 24-Hour Drawing Performance at a variety of gallery spaces and other unusual spaces throughout the globe, in which he combines musical performance and video screenings with a live drawing marathon.



Art of Flying take a ghostly, lost-on-the-moor sound and transfer it to the desert. Their music moves from stonerish low rock to raw-boned country folk, Dylan-esque word paintings to Tom Waits-like demishanties, and, sometimes, there's even an unlikely hint of Kate Bush.
--New Times, Los Angeles

The best kept secret in American indie music of the new century.

--Blow-Up, Italy