Jerry Joseph, Walter Salas-Humara, and Steve Drizos
$10 advance / $12 day of show
Jerry Joseph founded the bands Little Women and Stolkholm Syndrome with Dave Schools, Eric McFadden, Wally Ingram, and Danny Louis. Some songwriters just strike down to the heart of things. Even when they're being tender they nail you in the soul's solar plexus, shaking us with words and wires and something inescapably human. Jerry Joseph is this kind of composer - a rocker with emotional scalpel that cuts deep every time. He wears his influences on his sleeve - Elvis Costello, Neil Young, John Lennon, Steve Earle - but tailors them in ways that are always distinctly himself, probing the politics of love and nations with equal dexterity. By turns tough and unbelievably bruised, Joseph's work manages to be joyfully pissed off and achingly bittersweet, often within the space of just a few verses. There's a healthy restlessness to his music, a stripe of his modernity and tireless engagement with the world that places him next to younger contemporaries like Conor Oberst (Bright Eyes) and Ryan Adams.
A Cuban-American whose parents fled Castro’s Havana with him still in the womb, Walter Salas-Humara was raised bilingual just across the Florida Straits in Fort Lauderdale. College at University of Florida in Gainesville and a residency with the Vulgar Boatmen left him with a lifelong habit of Mudcrutch/Tom Petty-style crunchy guitar riffs. Chasing the punk prairie fire to New York just in time to sift through the ashes, he formed The Silos in 1985 with guitarist Bob Rupe and violinist Mary Rowell, plugging the main cable of American rock idiom into the jerry-rigged soundboard of Velvets-era feral experimentalism. The unlikely result, as evidenced by About Her Steps (1986), the seminal Cuba (1987) and their RCA debut The Silos (i.e., The One with the Bird on the Cover, 1990) was a loose-limbed conceptual country-rock that in turn influenced (if not outright inspired) the alt-country No Depression movement just around the corner. The band was voted Best New American Band in Rolling Stone Magazine's Critics' Poll of 1987 and appeared on Late Night with David Letterman in 1990.