Rufina Taproom Presents:

Helen Gillet / Rumelia Collective / Cloacas

July 25, 2018 8:15 pm - 11:30 pm
Add to Cal
Time: 8:15pm     Day: Wednesday     Doors: 8:00pm     Ages: All Ages     Price: $8
This Event Has Ended

Rufina Taproom Presents:

Helen Gillet / Rumelia Collective / Cloacas

8pm Doors / $8 ADV / $10 Door / All Ages

 

Helen Gillet http://helengillet.com/

Jazz-based cellist, singer, composer and improviser Helen Gillet grew up in Belgium, Singapore, Chicago and Wisconsin.  Gillet has a Bachelor’s Degree in both Music & Anthropology and a Master’s Degree in Music (Beloit College ’00, Loyola University New Orleans ’04).  Her training as an improviser began with North Indian Hindustani cellist Nancy Lesh in 1998, launching her into the worlds of free improvisation, jazz, funk, rock and song writing.  She has a deep love for French Chansons and the work of Belgian poet Julos Beaucarne.  Gillet has performed at a wide array of venues all over the world inlcuding New Orleans Jazz and Heritage Festival, Festival International (Lafayette, LA), Voodoo Festival, Copenhagen Jazz Festival and Hindsgavl Festival in Denmark, Nikodemuskirche Festival in Berlin, Mirano Oltre Festival in Italy, the Kennedy Center Center in Washington D.C. and MONA Mofo festival in Hobart, Tasmania. 

Helen Gillet has also recorded several film soundtracks and for musicians such as Wardell Querzergue, Arcade Fire, Kid Koala, Fermin, Cassandra Wilson, Dr. John, Marianne Faithful, Harold Brown, Danny Brilliant, Bill Summers… Her original score work to Katrina & Beyond and Living with Water plays above Fats Domino’s wrecked piano as part of a permanent exhibit at the Louisiana State Museum. Helen Gillet is currently featured in the Jazz exhibit at the Old US Mint in New Orleans.

 

Gillet has an extensive catalogue of self-produced albums ranging from French Chansons Newton Circus (2009) and Dusk in Wallonia (2015) to progressive Jazz Trio Running of the Bells (2011) w/ drummer Doug Garrison (Alex Chilton, Iguanas) and Tim Green (Cool and the Gang, Peter Gabriel), Duo w/ bassist James Singleton Ferdinand (2013) and big band Tephra Sound: Horizon (2017) featuring drummer Nikki Glaspie (Beyoncé, Parlament Funkadelic).  Her debut solo album, self-entitled Helen Gillet came out in 2012, followed by Bangkok Silver (2015), The Wind Shakes the Trees - LP (2016), and Helkiase, inspired by Notre Dame à la Rose Hospital in Lessines, Belgium is a live album recorded at the House of 1 kHZ in New Orleans in March 2018. 

 

Helkiase premieres of her latest songs: "Slow Drag Pavageau”, a tribute to New Orleans’ bassist Alcide Pavageau and "Vautour," a song written for Israeili artist Naama Tsabar in November 2017.  In addition to singing and playing cello w/ live loops, Gillet uses moog synthesizer, E.V.I., sampling of a 7'' of General de Gaule, and TR-9 Roland drum machine on a few tracks.

 

https://www.ted.com/talks/helen_gillet_you_found_me

 

 

Rumelia Collective https://rumeliacollective.com/

Rumelia Collective is a group of musicians who love playing the music of the Balkans and Mideast, as well as many other musical styles from around the world. The group weaves an intricate and mesmerizing blend of contemporary and traditional folk elements in their arrangements.

“Rumelia” comes from the word “Rumeli” meaning “Land of the Romans,” a Turkish word used to describe the Southern Balkan region. The music is unique to the western ear in that it uses odd time signatures (e.g. 5/8, 7/8, 9/8, 11/8), close harmonies, as well as eastern scales and tonalities. Rumelia Collective’s core repertoire is derived from traditional and popular tunes of Albania, Turkey, Greece, Macedonia and Bulgaria, to name a few.

 

The collective’s core trio is Nicolle Jensen, Sitara Schauer, and Alysha Shaw. Originally founded in 2010, Rumelia Collective has expanded their collaborations to include many internationally revered musicians and friends.

 

Cloacas https://cloacas.bandcamp.com/

A tiny mountain orchestra in a wooden box with rusty hinges. Listening to Cloacas is like traveling sideways in time. This ensemble invokes elements of folk, americana, classical, jazz and American gothic styles as well as whatever their acoustic instruments inspire. They present a humorous but sincere irony that is sometimes bittersweet and melancholic, and sometimes gangly-legged and goofy.