Roots + Wires Presents

Roots + Wires Presents... AKAE BEKA (Formerly Midnite)

100% Roots reggae from St. Croix

$18 adv / $22 door

at Taos Mesa Brewing Mothership

December 16, 2018 8:00 pm - 11:00 pm
Add to Cal
Time: 8:00pm     Day: Sunday     Doors: 7:00pm     Ages: All Ages / Bar with ID     Price: $18
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ROOTS+WIRES PRESENTS
AKAE BEKA (formerly Midnite)

Akae Beka is the current manifestation of an evolving consciousness. Following a quarter of a century as lead singer and co-founder for the legendary, St. Croix-based band, Midnite, Vaughn Benjamin was inspired to intensify his light when life situations led him to revisit the Book of Enoch. He then realized his preparedness to answer the calling of a sacred oath described therein, the Akae, the Beka, one and the same

Akae Beka sound builds on a strong foundation of trance-inducing performance experiences across five continents and countless festivals such as Bonaroo,

Outside Lands, Reggae on the River, Sierra Nevada World Music Festival, Summerjam, Rototom Sunsplash and Reggae Jam. 

Akae Beka’s debut album Homage To The Land, released by Fifth Son/VPAL on November 6, 2015, was viewed by some to be the second incarnation of Midnite.  On the album Vaughn Benjamin brings his unique brand of reggae with strong orchestral and jazz elements – an agile, buoyant, multi-layered sound characteristic of Fifth Son productions.  Benjamin’s chant and call is backed by mandolins (“All We Be”), violins (“Right Away”), flutes (“World Citizenship”), and a whole host of brilliantly-played horns, including trombones, trumpets, and a wicked bari sax (“Homage To The Land”).  The playing on the album is nearly flawless.  The Fifth Son players are methodical and precise on guitars, nimbly picking apart each tune with exactness and command.

 Homage To The Land is a laudable debut effort for Vaughn Benjamin under the Akae Beka moniker.  As players of instruments the band is in top form as they construct a ten song set that should satisfy even the most devout and discerning of Midnite fans.  Although the band experiments with an assortment of new instruments, the album’s sound does not become buried nor does the album sound overproduced.  A solid album from start to finish and proof yet again that Vaughn Benjamin is one of reggae’s most dynamic talents.